We've listed albums in order of star rating. Best first.
Reviews by Joe Geesin, Nikk Gunns, David Randall,
Jason Ritchie, Pete Whalley
ILIUM 'Genetic Memory'
Escape Music
This is album number five
from this Aussie band, their second on Escape. They are a decent
progressive/melodic metal band but their secret weapon is having former Riot/Masterplan
vocalist Mike DiMeo.
He fair belts through
opener 'Kinaesthesia' and 'Hostile Tongue', really bringing the music to life.
There are more keys/atmospherics on this album than their last album 'Ageless
Decay', again another nice progression for the band and their music.
Ilium have made a strong album that will push the band further to the front of
the prog/melodic metal pack. Based on this album I do think their next album
will be their defining one, until then we can enjoy this one! ****
Review by Jason Ritchie
SUNDAY RECOVERY 'Coma'
Mazepa Records
www.mazeparecords.com
Formed back in 2009 by the
band's main composer Gianluca Cucchiara with vocalist Mirko Petrini and
guitarist Fabio Cucchiara. Porcupine Tree's bass player Colin Edwin also guests
on two songs as he was an early fan of the band.
This album will be of interest to fans of Porcupine Tree (for the intricate
arrangements on some songs), the Manic Street Preachers (lyrically) and Pearl
Jam (for the agression particulary on 'Private Joke').
'Lost And Gone' is one of
those understated numbers, mainly piano, acoustic guitar and vocals, that bands
in the progressive music fiedl do so well. 'Pornstar' has the crossover appeal
to make daytime radio despite its lyrical content.
Hopefully this album will get the exposure and buzz it deserves as it has the
chance to appeal to fans of the aforementioned bands. ****
Review by Jason Ritchie
ELECTRIC BOYS And Them
Boys Done Swang (Escape Music)
Electric Boys have been around for some time, but they disbanded a good 16 years
ago. 'And them boys…' is their first album since reuniting.
The album has a great guitar groove which will set one's foot tapping, over the
70's vibe a lá Deep Purple's 'Machinehead' era, early Aerosmith ('The house is
rockin'' is remarkably similar to 'Walk this Way'), and ZZ Top. What adds to the
mix is the funk sound complete with soul chorus lines in places! While
'Reeferlord' is rather mediocre, the remainder of the album is a joy to listen
to.
A great addition of groove to your summer holiday vehicular jukebox. ****
Review by Nick van der
Meulen
STEVE SALUTO Brown Eyed
Soul (Heart Of Steel Records)
Steve Saluto sounds like
Prince on steroids. Early Prince, not the later one that sold his soul to the
Mail On Sunday.
He's a sophisticated
operator in the company of Doug Wimbush (Living Colour), and Marco Mendoza (Thin
Lizzy, Whitesnake) with whom he plays with in a band called 'La Famiglia
Superstar'. He's also worked with Richie Kotzen on previous albums.
This is well-produced work
and the only niggle is that it does sound a little dated but that's because
maybe no-one is occupying this space right now, save for a renascent Kravitz. If
nothing else, Saluto fills that soul rock void admirably.
If 'Angel' over-eggs a
slightly clichéd mid-tempo groove, 'United As One' gradually builds to become an
album highpoint, whilst 'Velvet Sky', 'Just Another' and 'Higher' show off his
way with an infectious and funky groove.
Some listeners may have
issues with his white boy soul croon which is stretched on those ballads but,
overall, if you like a bit of funk with your geetar, salute Saluto. ***½
Review by David Randall
ARACHNES A New Day
(Lion Music)
Arachnes is an Italian prog power metal outfit fronted by Enzo and Frank Caruso
(vocals and guitar, respectively). This is their fifth effort, after four
well-received prior releases.
Twelve songs are on offer in this release, with the second half of the album far
stronger than the first. That's not to say the first half is bad...it's solid
prog rock fare, but the second half knocks you off your feet!
Enzo Caruso has a tone
similar to James LaBrie, while the keys are prominent in the mix, without
overshadowing the guitar. The band performs a fine cover of Deep Purple's
“Fireball” to end proceedings.
Fans of Dream Theater will enjoy this. ***1/2
Review by Nick van der
Meulen
SWURVE 15 Years
(Raw Talent Records)
Swurve were formed in Northern Ireland in 1995 and, despite releasing a string
of singles and EPs during that time - and having toured Europe - it was not
until 15 years later that their debut album sees the light of day - hence the
album is called '15 Years'.
Opening track, and first single from the album, 'Inside', is a clear indication
of the band's intentions and fans of Bon Jovi, Def Leppard, Nickelback etc are
bound to enjoy the album. Massive sounding tracks such as 'Laydown', 'Picture In
My Head', 'Pushing' and 'See What I See' are all proof that the 15 year wait was
worth it.
With all the songs on '15 Years' written by singer/guitarist Tim Torrens and
drummer Cozy McAuley in the years since the band started working together,
Swurve are already working on album number two and this should be released later
this year. ***½
Review by Nikk Gunns
TORI SPARKS Until
Morning / Out Of The Dark
Tori Sparks sounds like an interesting lady - based in Barcelona, having
relocated from Nashville, she ploughs her own distinct Americana furrow playing
over two hundred gigs a year singing in English, French and Spanish. And she's a
champion of the DIY business model.
A performer and entrepreneur she doesn't play it ‘by the book', so it comes as
little surprise that this, her fourth release is a very nicely packaged 14 track
double EP marked up as Sides 1 and 2.
It's her third collaboration with producer David Henry (R.E.M., Cowboy Junkies)
and her first with Roger Moutenot (Elvis Costello, Velvet Underground, Paula
Cole, and Roseanne Cash) who did the mixing. It also features a mouth watering
cast of musicians including vocalists Grammy nominee Shaun Mullins, Mike Farris
(American Artist of the Year), Paris Delane (Sonia Dada) and indie folk artist
David Mead.
And Tori proves to be a great vocalist in the ‘torch' singer tradition of Dani
Klein (Vaya Con Dios), Rachel Morrison (the sadly short lived late eighties/
arly nineties band Bliss) and more latterly VK Lynne (check out the GRTR! review
of her truly excellent 2009 album Whiskey Or Water). And on Out Of The Dark,
which has a more country orientation, there's comparisons to be had with Siobhan
Maher's post-River City People output.
Sadly though, and like Siobhan Maher, Tori's material doesn't quite do justice
to her wonderful vocals. At least not if, like me, you crave melodic hooks that
bury themselves deep beneath your skin.
But both EPs only narrowly miss the mark in that respect. Everything else is ‘on
the money' - the singing, the playing and production, suggesting that a little
collaborative writing with the likes of Dianne Warren or Guy Chambers might be
all that's needed to make Tori Sparks a force majeure.
But in the meantime, f you
like any of the aforementioned artists Until Morning / Out Of The Dark is well
worth exploring. ***½
Review by Pete Whalley
LAURIE J POTTER
Infrared
A strange one this second melodic rock / singer songwriter album from
Minnesota based Laurie J Potter.
It's an atmospheric set that sees her supported by Tony Axtell (bass, piano,
Rhodes and Hammond, Matthew Zimmerman (drums, percussion, engineering, mixing
and mastering) and a number of guest lead guitarists.
The songwriting's great, falling alternatively between the smooth jazzy
inflections of Joni Mitchell and some of PJ Harvey's more angular work. And
there's plenty of unexpected time changes and interesting passages making it an
intriguing and rewarding listen.
But the thing that takes some getting used to is Laurie's unusual vocal phasing
and nasally style that at times has the disconcerting effect of sounding flat
and almost off key. It isn't, but in stark contrast to Tori Sparks (another
singer song writer whose album landed on the review pile this week) Infrared by
Laurie J Potter is a case of great songs, but a little lacking in the vocal
department. Take Laurie's songs and get Tori on vocals and you'd have one hell
of an album. But that's not the way the cookies always crumble. ***
Review by Pete Whalley
ANDI STARR The World Will Follow
Andi Starr's last album, New Warm World (2009), didn't exactly get a rave
GRTR! review. For this reviewer it was a little to ‘new world' and ambient. Fine
as a 'chill out' record to accompany that second Friday night bottle of red, but
perhaps just a little too ‘downbeat'.
Two years on, the
classically trained California based singer songwriter once again plays
keyboards, organ, acoustic guitar, electric guitar, mandolin and percussion on
'The World Will Follow' - her sixth release, and third studio album. But this
time around she does have a wider cast of supporting players.
Often compared in the
vocal stakes to Tori Amos, Aimee Mann or Delores O'Riordan, The World Will
Follow sees Starr venturing into far more commercial soft rock territory, in
particular the space dominated for many years by Sarah McLachlan. It's a welcome
move away from the ethereal meanderings of New Warm World and one that, with a
little exposure, could see her break into the mainstream.
Perhaps not yet ‘best in
class', but a huge step in the right direction. ***
Review by Pete Whalley
PERPETUATE Perpetuate
Perpetuate are yet another
female fronted rock band in that melodic symphonic hard rock space dominated by
the likes of Delain and Within Temptation.
Certainly with an arsenal
that includes Kim McInnes on vocals and keyboards, Jamie Hush and Chris Rafinski
on guitars and Mike Wiznuk and Calvin Love on drums and bass, Perpetuate have a
perfect balance of power and prowess.
The million dollar
question though, is what is their unique selling point? They're certainly at the
more progressive, blistering metal end of the spectrum, but really there's
little to mark them out from their contemporaries. Although that, in itself, is
a huge compliment.
The set opener 'Above And
Beyond' is probably the strongest song on offer, and some might say that the
inclusion of a pacey cover of Maiden's The Trooper, in what is only a six track
set, is a sign of ambition. Others might say is signals a shortage of ideas. For
now, the jury's out. ***
Review by Pete Whalley
CONCHITAS Love Hurts
(Delicious Records)
Conchitas are an electro
pop / rock duo from East London - El Conchitas (guitars, vocals, bass, synth and
programming) and Nicolas Ball (drums and percussion). El is also a leading
alternative female DJ who's been known to strip down to the waist and give her
puppies a good jiggle behind the decks. But with a build like a cage boxer,
you'd be well advised to keep a respectable distance.
It's difficult to know
quite where Love Hurts is aimed; it has a retro feel that's in part targeted at
the dance floor in the same way as, say Pete Burns Dead And Alive in the
eighties. On the other hand it has shades of the early, post punk / electro pop
synth melodies of say, Human League or very early Eurythmics, underpinned by
some dark and moody rhythms.
It's a fairly potent
combination with some great hooks, and with her gravelly vocals and guitar lines
on top of the retro synths adds up to quite a unique dance / rock sound. I have
to admit to being sceptical at first, but a few listens in, and there's an
undeniable charm to Love Hurts. ***
Review by Pete Whalley
WRAPTORS Held High
(Rakamarow Records)
Wraptors hail from Malmo in Sweden and are a band that have gone out of their
way to blend a number of different influences - guitarists Pal Callmer and
Niklas Fridh (who also handles lead vocals) are from a death metal background-
although you probably wouldn’t guess that listening to the album.
The blurb says you’ll like the album if you like Cheap Trick, Zappa and Rush - I
would even add Stone Temple Pilots into that equation. Highlights on 'Held High'
include 'Stoked On Stakes', District' and 'Screen Test'. 'Modern Mess' combines
sugary vocals with doom guitars and 'List of Ifs' also has a heavier guitar
under it.
The songs are bouncy, easy to listen to, and packed with hooks and harmonies -
however, after a few listens I still cannot recall them and this is not a normal
occurrence!! ***
Review by Nikk Gunns
NOCTEM Oblivion (Rising Records)
Spanish death/black metal band Noctem have just released 5th album 'Oblivion'.
Formed in 2001 the band is heavy to the extreme and enjoy vocals that are heavy
enough to compete with the music.
There are a couple of atmospheric instrumental tracks on the album but these
give way to the ear splitting likes of 'The Arrival Of The False Gods'.
Whilst I am in no doubt that this style of metal appeals to a section of music
fans, it is not my cup of tea. ***
Review by Nikk Gunns
HURON Mary Celeste (Casket Records)
A bit more melodic this one, and with vocals you can actually hear what is being
sung!! Title track 'Mary Celeste' reminds me of Suicidal Tendencies, whilst
other tracks such as 'Blood In, Blood out' have the intensity of early Pantera
or COC.
This may not be my chosen genre of rock but is not a bad effort. Tracks like
'Eternal Sea Part 1' showing the bands more melodic side, 'Black Harvest' is
like a heavier Black Label Society and 'Serpentswine' is worth a listed too.
Iron Maiden’s Bruce Dickinson is a fan of the band and they have toured the UK
extensively since the release of debut album 'Cheyne Stoking'. ***
Review by Nikk Gunns
DEEP BLACK SEES Inside Outside (Rising Records)
Italian progressive metal band Deep Black Sees formed back in 2003, when the
band members were a young 12 and 13, and have stayed together since. New album
'Inside Outside' was produced by Sylvia Massey (Tool, REM, System of A Down) and
is released shortly.
With 7 tracks spanning 46 minutes, the band easily switch between the more
melodic tracks such as 'Come On' and 'I Liked That' and the heavier 'Before
Dying' and 'Wind of Pain'- and it is the latter that is a good example of a
singer having the ability to switch back and forth between a melodic vocal and a
more guttural one both within the same song. ***
Review by
Nikk Gunns
SONDRE LERCHE Sondre
Lerche
The sixth album from Norwegian born, Brooklyn based indie singer songwriter
Sondre Lerche has already met with critical acclaim in the US when it was
released there in June. It will reach UK shores in the autumn to coincide with a
European promotional tour.
It's an album very much in the vein of recent release Let The Dog Drive Home by
Teitur - an understated and reflective piece of work full of gentle and
heartfelt moments capped by alternating warm gentle and soaring falsetto vocals.
Very much in the vogue of the current crop of indie troubadours such as Fleet
Foxes and Midlake (drummer McKenzie Smith contributes here) the recording has an
intimate and under-rehearsed charm reflecting the fact that it was recorded -
‘live' in the studio - and mixed in an intense three week period.
It's a pleasant listen, but it's difficult to see Sondre making any significant
impact on the airwaves here, although on the folk and festival circuit, you
never can tell... ***
Review by Pete Whalley
THE BOTTLETOP BAND Dream Service
Bottletop - a charity that
supports initiatives in the likes of Brazil, Malawi, Rwanda, Mozambique and the
UK, empowering people to protect themselves, their families, their communities
and the environment, addressing issues such as HIV / AIDS, contraception,
substance abuse and education - has brought together a host of like minded
Brazilian and British musicians for this fund raising collection.
Included are
collaborations featuring Eliza Doolittle (on the lead single, One In A Million),
Gruff Rhys (Super Furry Animals), Matt Helders (Arctic Monkeys), Drew McConnell
and Tim Burgess (The Charlatans).
Recorded over a two year
period in London, Rio and LA, and produced by Mario Caldato Junior (Beastie
Boys) it may not be a particularly ‘rock' album - it's packed with Latin rhythms
and has a beach dance / rave party vibe, but there's something here for
everyone. From the incredibly catchy Herp Albert inspired Voices featuring VV
Brown, to driving hip hop / trance of Kowalski featuring Sam The Kid and Pac
Man. Beach volleyball anyone? ***
Review by Pete Whalley
ROADFEVER Wheels On
Fire www.roadfever.ch
New Roadfever album that
has a solid sleaze influence. Add a bit of boogie/blues to hair metal - think
Krokus - and make it melodic and there you go.
The opening title track is
kind of a cross between Bruce era Samson and Guns’n’Roses, but more ordinary
than the former and more melodic than the latter.
Later on in the album
there’s nods to Legs Diamond and 80s Scorpions too. It’s all good in an OK
sense, except 'Outside' which is further up the ass of AC/DC than Krokus were.
Solid vocals, boogie
rhythms, blistering solos, mostly good stuff, but nothing special. ***
Review by
Joe Geesin
STONECOLLAR Trial By Fire
www.stonecollar.co.za
Four piece metal from Cape
Town, South Africa. Straight ahead, attitude, touches of rock and blues. It’s
almost impossible to liken this band to anyone (that I know of anyway) to any
degree - if you like to experiment with decent new original metal this is your
crew.
Opener 'Not For Good' has
some Maiden / Metallica nods in the guitar, the sudden bursts of guitar harmony
work well. The title track is upfront, with a wide range split between the
trebly guitar and hard hitting heavy rhythms.
There are various touches throughout, from ballad to alternative, but it’s all
hard hitting. Plenty of sound files on their website worth checking out. ***
Review by
Joe Geesin
DJERV Djerv
www.myspace.com/djervmusic
A strange and undefinable
blend of Norwegian rock and very aggressive metal, with a touch of black and
gothic. Sound interesting? It is. The move from melodic alternative rock to
extreme noise terror is smooth and it comes with more crash bang wallop than a
cement mixer full of bricks.
Even when it goes melodic
it is done so in a dark and chunky fashion.
The guitar work ranges
from thrashy to near intricate (in a rough way) and some of the non-screamed
female vocals are sublime.
There is an undeniable
catchiness to some of the riffs too.
Well worth checking out.
***
Review by
Joe Geesin
FIREYED From The Ground Floor
www.emmeciesse.eu
New album from this
Italian band who have already found some success on the continent. The band
openly state they wanted to recreate some 80s rock’n’roll and they do that with
aplomb. From the Rolling Stones to G’n’R and back again, there’s some rough and
ready high octane blues rock here.
This is dirty though, it’s
proper earthy sleaze rock / metal. Plenty of cohesive guitar solos that merge
with shred, yet it’s less commercial than many of the period contemporaries, and
indeed a lot less whiney than some bands I could (or already have) mention.
Pretty enjoyable. ***
Review by
Joe Geesin
MINSK SECURITY Reign Of Iniquity (Quam Libet Records)
And we open with a press release written by a political spin doctor. This is,
apparently, melodic thrash. First off that’s an incredible oxymoron and secondly
the vocals are more akin to having your ass buffed and polished by Dettol and
wire wool.
That aside, there’s the
predictable mix of rough and smooth vocals; do away with the rough and you might
have a chance. The music too is a blend of rough and smooth; at its best there
are some intricate guitar lines, Maiden-esque harmonies, in the middle there’s
the high speed sledgehammer in the face, and at the rough end something akin to
rocket fuel passed off as cheap Portuguese brandy.
So calling this melodic
thrash is like putting a stock cube in a bucket of whiskey and gravel and
calling it chicken soup; not quite an outright lie but there’s a few sore
throats and bleeding eardrums en route.
The melodic metal touches are genuinely excellent, even the piano lines in
'Dirge Of Men' grabbed me, the guitar solo on the same track stands out, but
it’s hard to appreciate the rose if it’s buried in manure and barbed wire.
**½
Review by
Joe Geesin
TRIGGERFINGER All This
Dancin' Around
After seeing this band at
this year's High Voltage and being less than impressed, I didn't hold out much
hope for this, the band's debut album.
Overall it is better than
seeing them live but boy do they worship at the alter of Josh Homme and Queens
of the Stone Age. Unlike that band they lack any real killer tunes, although
'Let It Ride' and 'Cherry' are quick and easy on the ear.
This band will appeal to
the stoner rock crowd but there are better bands and albums out there...
**1/2
Review by Jason Ritchie
KPAGE & SLEEPWALKERS
PARADE Between The Bridges
K Page & Sleepwalkers
Parade are a Brooklyn based band who've been making waves on the indie scene
since 2007. A four piece with K Page on vocals and songwriting, backed by Harvey
Valdes on guitar, Josh Myers on bass, and Adriane Palikat on drums, they're a
tricky band to pigeon hole.
With her at times, serene
and, at others, manic vocals underpinned by gentle meandering rhythms that
sporadically lurch into heavy riffing, melodic blues guitar breaks, jazz, or
even ska/ reggae, it's an unusual and at times combustible merging of genres.
Especially when the switching happens within the songs.
There's some neat playing
and some lovely vocals (at times), but the frequent changing of styles makes for
a rather uncomfortable listen. There's potential there, but commercial success
is only likely to come if K Page & Sleepwalkers Parade can come up with a more
consistent sound. **½
Review by Pete Whalley
SHIFT Watch It Burn
www.dizzyheadmusic.com
www.myspace.com/shiftmetal
Extreme alternative metal
with chunky riffs. Opener 'Stand Against' is angry, shouty, noisy, screamy and
OK for extreme metal if it wasn’t for the weird tuneless jangly bit in the
middle.
'Into The Whites Of Your
Eyes' is similarly noisy, while 'The March' is techno ambient programmed
alternative metal - not my thing at all.
Shift are a two piece band
in the studio and the programming is fairly obvious.
If you need proof that
alternative metal, like grunge, is an excuse to cover any lack of melody with
noise, this is it.
The CD finishes with
covers of XTC’s 'Dear God' and Anthrax’s 'In My World', two of the more
enjoyable tracks. **
Review by Joe Geesin
DANNY NEUBECKER Here I
Am (Feedback Records/Doolittle Group)
Danny Neubecker is a Swede who has put together his debut release in the
pop/rock genre...well that's what the press release says.
This isn't pop/rock at all...it's more like R'nB meets pop with sickly sweet
ditties in ballad format. This is Boyz II Men meets Bruno Mars with two guitar
riffs on the whole album and without the emotion.
There is not one upbeat
melody on this release and Neubecker's voice sounds wimpy and needy, which is
not what you want to hear in AOR.
Not for me, thanks. *1/2
Review by Nick van der Meulen
CRIME AND THE FORCES OF EVIL Dick Tracy Must Die
Crime And The Forces Of
Evil is an imaginary band of characters all played by vocalist, songwriter and
multi instrumentalist Dara Korra'ti.
Originally a research
biologist and software developer, and glass sculpturer her(?) venture into music
started as a martial arts bamboo flutemaker. That led to a stint in a Seattle
folk band, and that to vocals, percussion and choral work.
That led to busking, gigs
and finally to Dick Tracy Must Die and an album recorded almost entirely on live
(that is, unplugged) instruments. And for once, I'm almost lost for words - it's
discordant (and that's just the vocals), self indulgent tripe.
Sorry, it's just truly,
truly awful and perhaps, the worst album I‘ve heard this year. And for that, and
that alone, I'll award it one star. *
Review by Pete Whalley
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