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MELODIC
ROCK FEST 2
The Roadhouse, Elgin, Illinois 30 April-2 May 2010
Day 2 - 1
May 2010
After a
healthy breakfast (by American standards) and a CD buying session from
my friend Marty who had set up shop in his own hotel room, it was back
to the Roadhouse at midday for a long day ahead.
Unfortunately mine got off to a false start, owing to a waitress that
defined the term dumb blonde and a blue cheese burger that twice failed
to arrive.
I completely
missed local openers Far Cry, doubly annoying as I heard excellent
feedback both on the day and later on the message boards, and was
finishing off my meal while Talon were on.
Having seen
them a couple of times at Firefest, and even made a cameo appearance in
their 'Baby Jane' video, I have a lot of time for the Californian
rockers and they delivered a typically hard driving and enthusiastic
performance with their new singer, who reminded me a bit of Tesla's Jeff
Keith, fitting in comfortably. Highlights included What about me and
Paradise, plus a very authentic cover of Jefferson Starship's Jane.
Next up were
Rock Sugar, who since appearing as Loud and Clear at Firefest in
2008, have re-invented themselves and gained far more fortune and fame
by doing 'mash ups' of classic eighties rock songs and have even been
booked for Download.
I loved
their original work and have mixed feelings that they are riding the
current wave of nostalgia for eighties cheese, but they were
nevertheless very entertaining, and clever in the way they switched in
and out of songs- with some strange couplings like You Shook me All
Night Long and Madonna's Like a Prayer.
Singer Jess
Harnell was a larger than life character, and yet when he left the rest
of the band to perform a mash up of Working for the Weekend and Livin'
on a Prayer, it proved the best of the set, before they closed with a
triple mash up of Bohemian Rhapsody, We Will Rock You and Kickstart my
Heart.
Backed by
Valentine, Terry Brock provided a rather more sedate contrast.
Hiding behind a cowboy hat and shades, he nevertheless not only showed
his singing quality but was a dryly humorous frontman with his southern
drawl.
Perhaps
warming up for their Firefest reunion, the set was peppered with no less
than five tracks from his Strangeways days, with Only a Fool the stand
out closely followed by an epic Love Lies Dying, as well as a number of
songs from his upcoming album, which did not make an immediate impact on
me, and one from The Sign project and from his Back to Eden album.
Valentine,
particularly talented guitarist Adam Holland, proved a perfect match
with their tasteful playing and an American woman next to me near the
front exploded in delight when he finished with one of their songs, Soul
Salvation.
Eden's
Curse, led by shaven headed and Halford-esque singer Michael Eden
presented a heavier contrast to most of the bands of the weekend, with
an uncompromising sound almost verging on power metal - yet songs like
Just Like Judas, Eyes of the World and After the Love is Gone also had
massive melodic hooks.
There also
seemed to be more locals who had come specifically to see them than
virtually any other band all weekend. However after about 40 minutes,
and with one similar song beginning to merge into another, with several
hours still to go, I reluctantly popped to the bar for a food break.
Pride of
Lions were perhaps the band I was most looking forward to, and they
did not disappoint with one of the classiest sets of the weekend. This
was once I had got over the bizarre tri-cornered hat, headband and
pirate garb of ex-Survivor great Jim Peterik, who seemed to be suffering
a midlife crisis.
But I was
drooling over a magnificent opening trio from their debut album of It's
Criminal, Sound of Home and Gone - with Jim's melodramatic songwriting
and the soaring vocals of singer Toby Hitchcock, they epitomise great
AOR.
Talking of
which, Jim told the stories behind Survivor classics I Can't Hold Back
and mega-ballad The Search is Over, which Toby did full justice to,
while Music and Me - with lyrics everyone there could relate to - was
another highlight and people's jaws dropped when they played the
Survivor obscurity Oceans.
Then Jimi
Jamison appeared to huge cheers to sing the 'forgotten' Rocky song
Burning Heart, before Jim played an extended guitar intro and waded deep
into the crowd to rock out with them to Eye of the Tiger. Cheesy, and
yet a memorable moment.
Different in
style, Danger Danger matched the impact of Pride of Lions with
their normal fun-filled show - they never need an excuse to party, but
bassist Bruno Ravel's birthday made for even more of a raucous,
alcohol-fuelled atmosphere on stage than usual.
With Ted
Poley his usual larger than life self, and also diving into the crowd,
and Rob Marcello a slick guitarist, the singalong classics from the
first two albums came thick and fas t- Boys Will be Boys, Monkey
Business, Beat the Bullet, Don't Blame It On Love and others.
Did you know that
we play melodic rock in a three hour sequence, Mon-Fri on our
radio channel? (10:00-13:00 BST - GMT+1)
More information |
But a
pleasant surprise was how well the new songs from last year's excellent
Revolve album went down - fans were even chanting for the Journey-esque
Hearts on the Highway and got their wish, while That's What I'm Talking
about is a worthy addition to their collection of anthems.
There was
the odd more reflective moment with Under the Gun and I Still Think
About You, before a set that was over all too fast closed with Bang
Bang, Crazy Nites and another impressive newie, Keep On Keeping On.
There was a
danger (excuse the pun) that they would run out of time and not play
their most famous song, but thankfully there was still time for Naughty
Naughty to bring the set to a suitably riotous conclusion.
Headliners
Y & T seemed to have attracted substantial numbers specifically
to see them and did not disappoint from the moment they opened with
their usual call to battle in Open Fire, followed by Lipstick and
Leather.
Dave
Meniketti always sings and plays guitar with absolute commitment and
energy, and John Nyman, Phil Kennemore and Mike Vanderhule are a
powerful and well-drilled unit honed by constant touring.
Few
surprises, but the usual Y&T classics were all present – Dirty Girl
turned into a bluesy workout with solos from Dave and John, the riff-tastic
Mean Streak, Hurricane and later in the set Black Tiger, and the guitar
epic I Believe in You.
1987's
Contagious was also given an airing with the gloriously dumb title track
which had me and others punching the air, and Eyes of a Stanger, while
two songs were premiered form the new Facemelter album - Shine On was
run of the mill, but I'm Coming Home an enjoyable romp.
However,
after Summertime Girls and with one eye on a curfew getting ever closer,
the gig lost all momentum with a guitar instrumental, drum solo, and
Phil's usual crowd baiting before he took the mike for Squeeze.
Thankfully,
Forever closed the set to get everyone going, and - unlike past shows of
theirs I saw at the old Astoria 2 in London- they were allowed to play
past the curfew with a three song encore.
So we had
the bonus of Barroom Boogie, Don't Stop Running- to please large parts
of the crowd who were seemingly spoon fed on 84's In Rock We Trust album
and kept requesting it, and - of course - their best known song Rescue
Me.
It was
nearly 1am and after an hour and three quarter's rocking out to Y&T, a
waitress coming on stage to hand out beers for a dollar was an offer too
good to refuse - even though they were the egregious Bud Lite. This was
proving to be one almighty weekend of the music I love!
Review
and photos by Andy Nathan
Day 1
Day 3
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