A decade of costume
changes chronicled...
Formed in 1971
by Bryan Ferry, Andy Mackay and Brian Eno, Roxy Music almost
single-handedly defined 'art rock', bursting onto the music scene with
a slew of excitingly original singles, top-selling albums, and
eye-catching performance.
The grainy,
lip-synched footage of the chaps, Eno already resplendent in boa and
feathers, live at the Royal College of Art in '72 is relatively
restrained, tentative even, but the pace gathered swiftly for
resultant glammed-up forays into period Brit music TV: Whispering
Bob's OGWT, Mike Mansfield's Supersonic (hilarious) and silly old Top
Of The Pops.
The need to be
seen as well as heard doing something different prompted above average
churn in the costume dept. adding to the fun no end. Mackay is a cross
between an alien and a fly; Eno, a camp Riff Raff; meaty drummer Paul
Thompson distinctly uneasy in a leopard-skin; while Ferry works his
way through rock 'n roll T-shirt 'n jeans, GI uniform (with eye
patch), the famous crooner's white tux and, on the second of this 2
disc set, suits of red leather and silk, the camera lingering
longingly on the pale grey eyes, the Cartier watch.
The hits are
present (Love Is The Drug, Pyjamarama, Do The The Strand, Virginia
Plain, Angel Eyes, Jealous Guy, Dance Away) complemented by highlight
faves from the set lists of the day. If the TV material is perhaps a
tad self-knowing, any whiff of contrivance is blown away by the live
material, notably from Germany's Musikladen 1974 TV show and a concert
in Stockholm two years later, affirming the band's reputation for
tough, proficient stagecraft.
Roxy in the '80s
were slicker, more polished and mechanical, showing some compromise in
the trademark innovation of the previous decade as the safe money
rolled in (see also Genesis). Nonetheless this 10-year career overview
is solid entertainment. Whilst they may have been in thrall of the
dressing-up box, The 'Thrill Of It All' measures the substance of Roxy
Music equalling the style. Recommended.
****
Review by Peter Muir
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